10.09.07:
First
production photos from the Norwegian media. Outdoor filming began last month
on Skiathos and Skopelos, the two Greek islands chosen by the Littlestar
and Playtone productions to re-incarnate the anonymous island where the
musical, MAMMA MIA! takes place. This fairy-tale setting is where bride-to-be Sophia (Amanda Seyfried) gathers three ex-suitors of her tavern-owning mom, Donna
(Meryl Streep), the better to learn which one is her father.
In a recent USA Today
article, the play's creator, Judy Craymer, says, "Meryl obviously
loves singing and was bursting to do it with various projects. We
knew that she had seen the show because she wrote a letter to the
Broadway cast five years ago. Now she gets to sing nine ABBA songs."
The former James Bond never had the occasion to break into song in his
007 outings, although he warbled Irish folk tunes in 2002's Evelyn.
Craymer assures, "He sings brilliantly. He does a sexy
Springsteen-style thing." We'll have to wait until the premiere date
of July to know how well our Swede can sing!
WAZ
was screened at the Stiges International Film Festival in Spain
yesterday with Tom Shankland in attendance. Finally we have an image of
a poster! And check out several new photos from
the film. During a press conference, the director commented on
his intention to spin certain genre clichés, using violence as a context
to explain a love story. In the same way, he exchanges the roles related
to the profile of the customary psycho killer, contributing small sheens
of regeneration to this type of cinema. WAZ was also screened in London
at the Raindance Film Festival on September 28. Film critic James
Merchant writes, "Skarsgård and George give compelling performances as
the officers, who pushed to their limits, are forced into an
unimaginable nightmare, while the supporting cast shows off familiar
British actors...
WAZ is a frightening piece of raw cinema. Dark, gritty, yet compulsive
viewing, the film raises the bar in a genre difficult to permeate." And
from Neil Young - "Skarsgård invests his chain-smoking character with a persuasively grave
world-weariness; Belfast doubles unexpectedly convincingly for
Manhattan, and there's a rather deft final 'twist' that concludes the
bloody shenanigans on a reasonably effective and thought-provoking note."
Also a review from Filmstalker - "I had no idea what to expect with this film, the thought that it might
be a slick, polished Hollywood thriller was at the fore of my mind. What
I found was something quite different. Something dark, edgier, far more
clever than the typical Hollywood thriller I was expecting and
definitely more uncomfortable. In short, something much better.... The
partnership between the two leads is intriguing, and there's something
about both actors on screen that pulls your attention to them." The film
will open in Spain's theatres on November 30th. You can view the trailer
at
this link.
I
thought this recent blurb about Stellan from wordpress.com was a bit
amusing - "No one knows how many children Stellan Skarsgård has. Some
speak of a legion of Nordic blondes raised entirely on arctic-chilled
vodka; others guess six. There are few actors who have managed to
balance international arthouse acclaim with Bruckheimer behemoths. Even
fewer have done so and brought along a half-dozen kids for the ride. He
is Sweden’s best-known actor working today and, according to buddy Paul
Bettany – who named his first son after him – 'the all-time heavyweight
vodka-drinking champion of the world.' But you might not be aware of
just how varied Skarsgård’s career has been. He has survived, no fewer
than three times, the bonkers directorial stylings of Lars von Trier;
acted Pacino out of the water in the spectacular original version of
'Insomnia'; and endured six hours of make-up to play undead melancholic
Bootstrap Bill in a couple of little films about pirates... Skarsgård
remains unmistakably Scandinavian. He has played the younger version of
fellow Swede Max von Sydow’s famously doomed character in 'The Exorcist'
prequel, and now he’s set to pay homage to another of his homeland’s
most famous exports, squeezing into some spandex flares for the
big-screen version of Abba musical 'Mamma Mia!' What next? Ikea: The
Movie? The Swedish Chef: A Biopic?"
9.18.07:
MAMMA
MIA! writer, Catherine Johnson, has revealed that filming is going
well. The ABBA musical is being directed by Phyllida Lloyd with Tom
Hanks, Rita Wilson, Bjorn Ulvaeus and Benny Andersson as executive
producers. And if that bunch of A-listers weren't enough, Ms. Johnson
adds, "It's fantastic casting, and the chemistry between them all is
amazing. Everyone is having a good time and it really shows from the
work that they're producing. They have tackled the singing and dancing
with great gusto. People who you wouldn't have down as musical stars are
coming out with these fantastic voices. It's great." After 10 weeks at
Pinewood Studios outside of London, the production shifted to the
picturesque isles of Greece in early September.
In
a recent interview, WAZ co-star Melissa
George said the highlight of 2006 was working with Stellan. She says,
"About two years ago I made a dream list of who I would most like to
work with. There was Clive Owen, Sean Penn, Edward Norton, Al Pacino and
Stellan Skarsgård. He’s an amazing
actor. The first day of rehearsal he walked in and I looked at him and
thought ‘My dreams have come true’. Stellan taught me don’t just deliver
what’s in the script. Throw in 10 different emotions so the audience is
thinking. Are they in love or is he going to kill her right now? Don’t
just make it linear, add things. After working with Stellan, I feel that
I’m really ready to take on better projects." Al Chambers of the British
Federation of Film Societies (BFFS) reviewed the film - "WAZ is a nicely
paced, tightly shot, delivers a few well-judged surprises, and benefits
from a committed lead performance by Stellan Skarsgård."
I
just came across a
TV Guide video interview with Stellan that was done last summer
regarding POTC: DEAD MAN'S CHEST. Enjoy!
Colin
Boyd of Bigpictureradio.com had some interesting comments about Stellan
in his review of GOYA'S GHOSTS -
"Skarsgård has always been an
acquired taste, the sort of actor about whom people will comment, 'Well,
he’s European…' But he’s really in his element here, and the film is
strongest when Skarsgård is at
work."